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Artiste: Mark Jonathan

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Of myth and music: American Ballet Theatre’s Sylvia

Chloe Misseldine as Sylvia in Sir Frederick Ashton’s Sylvia © Elaina Francis
American Ballet Theatre brings back the Ashton classic Sylvia and offers tremendous central performances.

Sir Thomas Allen’s Figaro for Scottish Opera still entertains

Edward Jowle (Figaro) and Ava Dodd (Susanna) © Mihaela Bodlovic
A traditional Marriage of Figaro entertains with a strong cast, eye-catching design and lighting, and Amanda Holden’s earthy libretto.

Cunning Little Vixen at the RNCM: simple but richly detailed

The Cunning Little Vixen © Robin Clewley
Martin Pickard conducts Leoš Janáček’s ever popular opera The Cunning Little Vixen in a traditional but effective staging by Harry Fehr.

The Railway Children becomes a pacy action thriller at Glyndebourne

Jessica Cale (Bobbie), Henna Mun (Phyllis) and Matthew McKinney (Peter) © Glyndebourne Productions Ltd | Richard Hubert Smith
Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.

ABT: Ashton's Sylvia showcases the entire company

Chloe Misseldine as Sylvia in Frederick Ashton's Sylvia © Nir Arieli
The audience walked out of the theater feeling airborne and filled with the kind of joy you only feel after a truly special performance. Sylvia is an absolute treasure.

Ella’s Big Chance: A Jazz-Age Cinderella is a rip-roaring triumph

Gina Harris-Sullivan as Ella and Toby Gray as Buttons in Ella's Big Chance: A Jazz-Age Cinderella © Photography by ASH
A “high-five” for the maturity, professionalism and outstanding production values of the London Children's Ballet's latest full-length ballet.