Artiste: Mikhail Fokine

Après près de trente ans, la compagnie fondée en 1926 par la chorégraphe Martha Graham remonte sur les planches de l’Opéra Garnier. Pionnière de la danse moderne, la chorégraphe a laissé derrière elle un répertoire de plus de cent cinquante œuvres qui ont profondément marqué l’histoire de la danse. 

Hugo Marchand curated and performed in an essentially French mixed bill along with Dorothée Gilbert, Léonore Baulac and Germain Louvet from Paris Opéra and the excellent ensemble of Béjart Ballet Lausanne. 

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

An uplifting triple bill by American Ballet Theatre with three contrasting ballets. Especially entertaining were Tudor's Gala Performance and Agnes de Mille's Rodeo.

Carlos Acosta devises a programme of Ballets Russes highlights to celebrate Serge Diaghilev and to showcase the young dancers of Birmingham Royal Ballet’s junior company, BRB2. 

While National Ballet of Japan’s latest triple bill presents many challenges, one hopes these valuable masterpieces will be revived, enabling the company to develop its virtuosity and artistry.

Ravel’s first ballet Daphnis et Chloé is an overwhelming sensory experience – but its birth as a production choreographed by Mikhail Fokine for the Ballets Russes was not without complications...

Repasamos la fructífera relación creativa entre Igor Stravinsky y Serguéi Diaghilev y las distintas creaciones del compositor para la compañía Les Ballets Russes.