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Artiste: Miles Mykkanen

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Highland ParkThe Abduction from the Seraglio

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Mozart: Die Entführung aus dem Serail (L'Enlèvement au sérail)
James Conlon; Harry Silverstein; Chicago Symphony Orchestra; Chicago Symphony Chorus; Kathryn Lewek; Miles Mykkanen

LondresThe Magic Flute

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Mozart: La Flûte enchantée (Die Zauberflöte)
Dalia Stasevska; Sir David McVicar; The Royal Opera; Julia Jones; John Macfarlane; Paule Constable

AmsterdamHedda GablerCréation mondiale

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Mendonça: Hedda Gabler
Corinna Niemeyer; Nina Spijkers; Dutch National Opera; Studio Dennis Vanderbroeck; Jorine van Beek; Tim van 't Hof; Het Muziek (formerly Asko|Schönberg)
Critiques récentesEn voir plus...

Cruel et exceptionnel Couronnement de Poppée à Aix-en-Provence

Sous la direction sensuelle de Leonardo García Alarcón et dans une mise en scène survitaminée de Ted Huffman, les jeunes étoiles de la distribution proposent une incarnation formidable de l'opéra de Monteverdi.

Innocence: Saariaho’s final opera receives New York premiere

Joyce DiDonato (the Waitress) and Vilma Jää (Markéta) © Karen Almond | Met Opera
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Heidi Stober © Sunny Martini

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

The Amazing Adventures of Kavalier & Clay at the Met

Andrzej Filończyk (Joe Kavalier) and Miles Mykkanen (Sam Clay) © Evan Zimmerman | Met Opera
Great singing and imaginative spectacle cannot turn an ambitious operatic premiere into a convincing whole. 

Venables We Are the Lucky Ones is the time to be alive at DNO

We Are The Lucky Ones © Dutch National Opera | Koen Broos
Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation. 

Bats! Die Fledermaus is a fabulous flight of fantasy at DNO

Bat Ballet © Dutch National Opera | Bart Grietens
Johann Strauss II's Die Fledermaus, was never meant to challenge grand opera for profundity and Barrie Kosky pokes fun at Viennese high society in his riotous staging.