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Artiste: Nathan Gunn

Critiques récentesEn voir plus...

Vienna goes to Broadway for ENO's Merry Widow

ENO's Merry Widow is big, brash, and more than a touch juvenile – but it's the most fun one can have at the opera.

Bernstein 100: Big city alienation and love

Cast and choir snaked and kicked their legs through the aisles of the hall – picking up audience members along the way – leading to a riotous on-stage dance.

Keith Warners Don Giovanni: Immer wieder gern

Wahrscheinlich eine der besten Don Giovanni-Inszenierungen aller Zeiten; mit Sicherheit die lustigste.

Heggie's Great Scott wins big in San Diego

Returning stars and high-profile company debuts contributed panache to the energy-charged atmosphere.

Great Scott: modern bel canto at Dallas Opera

A new bel canto opera, a pro football team, and the future of American Opera--all in a day's work for Heggie, McNally, DiDonato, and von Stade.

Cold Mountain: Higdon's maiden operatic voyage

There was a nod to John Adams in the score, but also a kind of edgy Americana, complete with powerful writing for male chorus, and an attempt to communicate the flavor of rural North Carolina, not far from where Higdon grew up.