Critiques récentesEn voir plus...
Vienna goes to Broadway for ENO's Merry Widow
ENO's Merry Widow is big, brash, and more than a touch juvenile – but it's the most fun one can have at the opera.
Bernstein 100: Big city alienation and love
Cast and choir snaked and kicked their legs through the aisles of the hall – picking up audience members along the way – leading to a riotous on-stage dance.
Keith Warners Don Giovanni: Immer wieder gern
Wahrscheinlich eine der besten Don Giovanni-Inszenierungen aller Zeiten; mit Sicherheit die lustigste.
Heggie's Great Scott wins big in San Diego
Returning stars and high-profile company debuts contributed panache to the energy-charged atmosphere.
Great Scott: modern bel canto at Dallas Opera
A new bel canto opera, a pro football team, and the future of American Opera--all in a day's work for Heggie, McNally, DiDonato, and von Stade.
Cold Mountain: Higdon's maiden operatic voyage
There was a nod to John Adams in the score, but also a kind of edgy Americana, complete with powerful writing for male chorus, and an attempt to communicate the flavor of rural North Carolina, not far from where Higdon grew up.
