Artiste: New London Chamber Choir

Après les abysses du Requiem de Ligeti, le chef finlandais a su mener l'Orchestre de Paris vers une Quatrième Symphonie de Bruckner très touchante, qui a sonné comme la recréation d'un monde disparu.

The evening left you in no doubt that in Donnerstag aus Licht is more approachable than many would imagine, as well as being a major creative achievement that is crying out to be explored by opera houses.

A ruthless Russian leader quelling revolt and uniting his country through waging war on its neighbours: the theme of Sergei Eisenstein’s film Ivan the Terrible, intended as a Soviet propagandist parable, raises a knowing eyebrow even today. Excerpts from Prokofiev’s score formed the bulk of this raucously enjoyable concert by the Philharmonia under Vladimir Ashkenazy, beneath a screening of key scenes from the film itself.

In days gone by, if you went to see a Mahler Symphony, you wouldn't feel you’d had the full experience unless Gustav himself was waving the baton. Nowadays the privilege of watching a composer conduct his own work is a somewhat rarer one, though fortunately not yet a completely extinct practice, and watching Knussen’s Symphony No.

In a castle in mediaeval Denmark, King Waldemar and Tove sing rapturously of their love. But dark deeds are afoot: a Wood Dove tells us that Tove has been murdered by Waldemar's jealous queen, Waldemar berates God, he and his men are condemned to rise from their graves every night and ride in a wild hunt - all this to the accompaniment of a giant, brass-laden orchestra playing a lush, opulent symp