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Arresting aristos make for a fine Figaro in Seattle
Aidan Lang, head of Seattle Opera, reveals his talents as a stage director in a fresh and engaging interpretation of Mozart's comic masterpiece.
Bychkov conducts Calleja and Giannattasio in an immaculate Bohème
After years of opera going, is it really still possible for me to be moved to tears by a tenor’s wail at the sight of a consumptive heroine dying tunefully in her bed at the end of the last act? I didn’t think so, but on the basis of last night’s Covent Garden performance of La Bohème, the answer would appear to be yes.