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Artiste: Olivia Fuchs

Critiques récentesEn voir plus...

Le ravissement de Semele à Londres

Alexandra Oomens (Semele) © Robert Workman
À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

Wolf-Ferrari entertains, Tchaikovsky bewitches at Holland Park

John Savournin (Sante), Clare Presland (Susanna) © Opera Holland Park | Ali Wright
Wolf-Ferrari's Il segreto di Susanna provides an airy bon-bouche to Tchaikovsky's Iolanta, brilliantly sung by Natalya Romaniw and David Butt Philip and conducted to fairy-tale perfection by Sian Edwards

By Jove! A terrific Semele at the Royal Academy of Music

Lina Dambrauskaite (Semele) © Robert Workman
Royal Academy Opera maintains its usual high standards in a production of Handel’s operatic oratorio, a showcase for the singers of the future.

Proms at... Wilton’s: Conference of the Birds

Marcus Farnsworth performs Eight Songs for a Mad King © BBC | Mark Allan
The Birmingham Contemporary Music Group present an ambitious mixture of experimental chamber music and disquieting monodrama. 

Kát’a Kabanova compellingly staged at OHP

Nicky Spence, Anne Mason, Clare Presland, Julia Sporsén, Laura Woods © Robert Workman
Problems of orchestral balance cloud Olivia Fuchs's straightforward, compelling staging of Janáček’s tirade against the rigidity and hypocrisy of small town society.

Sumptuous performances from WNO in Der Rosenkavalier

Louise Alder (Sophie Von Faninal) and Lucia Cervoni (Octavian) © Bill Cooper
Gloriously sung and stylishly played, this Rosenkavalier is a feast for the ears and eyes and should be heard without delay.