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Artiste: Orchestra del Teatro di San Carlo

Spectacles à venirEn voir plus...

NaplesNorma

Bellini: Norma
Francesco Ivan Ciampa; Lorenzo Amato; Teatro di San Carlo; Ezio Frigerio; Franca Squarciapino; María José Siri; Angela Meade

NaplesMaderna, Grimaldi, Shostakovich

Maderna, Grimaldi, Chostakovitch
Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo

NaplesDon Quijote

Minkus: Don Quixote
Alexey Fadeyev; Marius Petipa; Corpo di Ballo del Teatro di San Carlo; Vyacheslav Okunev; Maria Kochetkova; Claudia D'Antonio

NaplesWinter Journey

Einaudi: Winter Journey
Carlo Tenan; Roberto Andò; Teatro di San Carlo; Gianni Carluccio; Coro del Teatro di San Carlo

NaplesSibelius, Grieg, Respighi

Sibelius, Grieg, Respighi
Orchestra del Teatro di San Carlo; Juraj Valčuha; Alexander Malofeev
Critiques récentesEn voir plus...

À l'heure beethovénienne

Toute pérégrination italienne près de Pompéi et Herculanum mène à Naples ; au Teatro San Carlo, le chef chinois Muhai Tang dirigeait un programme entièrement consacré à Beethoven.

In Naples, Tosca lives, loves and dies in the land of nowhere

Carmen Giannattasio (Tosca) and Amartuvshin Enkhbat (Scarpia) © Mario Wurzburger | Teatro di San Carlo
Film director Edoardo De Angelis sets his Tosca in a devastated, dystopiian suburb which mirrors and emphasises the opera's social degradation and immoral elements.

The Queen of Spades plays her cards right in Naples

Misha Didyk (Hermann) and Anna Nechaeva (Lisa) © Luciano Romano e Francesco Squeglia
Willy Decker does not try to make the structure of the plot any clearer, mainly concentrating on the deeper meaning of the work. The cast was excellent.

Rossini's Ermione returns to its birthplace in Naples

Angela Meade (Ermione) © Francesco Squeglia
A bland staging: at the end what really emerged was Rossini’s glorious music, its intelligent construction and perfect beauty.

A solid Traviata closes the San Carlo season in Naples

Maria Mudryak (Violetta) © Francseco Squeglia
A production apt for audiences who prefer a traditional, intimate staging of the most often performed of all operatic works.