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Firing blanks: Oxford International Opera’s aimless Tosca
The inaugural production of Oxford's new “international” company lacks direction, but Carmen Giannattasio’s Tosca makes the trip worthwhile.
WNO stages Death in Venice for the first time and it’s a triumph
Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.
Death haunts Glyndebourne Tour's powerful Bohème
A strong cast led by Bekhzod Davronov and Gabriella Reyes plus an intense production helps Floris Visser unusual staging of La bohème stand out from the crowd.
Escape to the country: Bernstein's Candide at Iford
Jeff Clarke's characteristically high-octane style seems made for the sarcastic, hyperactive existential madness that is Candide in this little gem of a production for Iford.
Belly laugh: Falstaff ends CBSO season
Laughter is indeed the best medicine. As we try and make sense of the continuing political fallout post EU referendum, the CBSO offered the perfect prescription in the ample form of Verdi's Falstaff.
Transfigured night: Tristan and Isolde
English National Opera's new Tristan is at its best when responding to Anish Kapoor's stunning stage sculptures.