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The HagueIl Combattimento
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Monteverdi, Gesualdo
Orchestre du XVIIIe siècle; Richard Egarr; Ian Bostridge; Anna Prohaska; Sommer Ulrickson; Pas encore défini
Critiques récentesEn voir plus...
Himmel und Erde: Nederlandse Bachvereniging mit der h-Moll-Messe
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Durch manche stilistische Abweichungen und unzureichende Begegnung immanenter Ansatzrisiken kommt die Vorstellung insgesamt betrachtet nicht über eine eher mediokre Wirkung hinaus.
Full-fat Four Seasons from Richard Egarr and the LPO
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Two works by African American composers accompanied this 18th century music, now globally the most famous we have, which virtually disappeared until the middle of the last century.
Lively Israel in Egypt from the Scottish Chamber Orchestra
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Handel's chorus-heavy oratorio fielded a dream team of distinguished soloists.
The Academy of Ancient Music reconnects us to a more genuine Messiah
Richard Egarr was able to put together a performance that – full of energy and dynamism – succeeded in bringing forward with great transparency, restraint and delicacy this score’s wonderful musical tapestry.
Prom 55: uneven soloists in Handel's Jephtha
Poor diction and lack of heft from some principals mar the composer's last great oratorio.
Reservoir Dogs: EIF's Bach's series goes out with a bang
Ares, Butt, Egarr and Foster play brilliantly, but they're at their best when there's no orchestra.