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Artiste: Rod Gilfry

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New YorkManon

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Massenet: Manon
Yves Abel; Laurent Pelly; Metropolitan Opera; Chantal Thomas; Joël Adam; The Metropolitan Opera Orchestra
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Toutes des salopes ? L’amer Cosi fan tutte de Christophe Honoré

On nous avait certes garanti une production exempte de têtes emperruquées et de décors à dorures, mais pas grand-chose ne nous avait préparé à une telle radicalité de mise en scène. 

Innocence: Saariaho’s final opera receives New York premiere

Joyce DiDonato (the Waitress) and Vilma Jää (Markéta) © Karen Almond | Met Opera
At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 

Dudamel and Catalan choirs dazzle in Beethoven’s Missa solemnis

Gustavo Dudamel conducts the Los Angeles Philharmonic © Farah Sosa ​
In Los Angeles, Gustavo Dudamel conducts Beethoven's Missa solemnis for the first time... and it proves worth the wait. 

La bohème as escapist epic at LA Opera

Janai Brugger (Mimì) and Oreste Cosimo (Rodolfo) © Cory Weaver
Puccini's tale of bohemian love lives on at the Dorothy Chandler as LA Opera launches its 2025-26 season. 

Scenes from a marriage: The Brightness of Light at the NY Phil

Renée Fleming and the New York Philharmonic © Brandon Patoc
Kevin Puts' song cycle inspired by the correspondence of Georgia O'Keeffe and Alfred Stieglitz makes its long-awaited New York debut, featuring Renée Fleming and Rod Gilfry. 

Mozart meets Gatsby in LA Opera’s new Così fan tutte

Ana María Martínez (Despina), Rihab Chaieb (Dorabella) and Erica Petrocelli (Fiordiligi) © Cory Weaver
 Michael Cavanagh's sleek new production, designed by Erhard Rom and conducted by James Conlon, transforms the 18th-century opera into a Broadway musical, score by Mozart.