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Artiste: Ronald Bates

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StuttgartModern ElegiesNouvelle production

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Tchaïkovski, Mozart, Richter
George Balanchine; Jiří Kylián; David Dawson; Stuttgart Ballet; Wolfgang Heinz; Staatsorchester Stuttgart; Barbara Karinska; Ronald Bates
Critiques récentesEn voir plus...

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Kloe Walker and Mira Nadon with the Company in Tiler Peck’s Symphonie Espagnole © Erin Baiano
A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

NYCB's Contemporary Choreography marred by middle pieces

Chun Wai Chan in Alexei Ratmansky's Pictures at an Exhibition © Erin Baiano
Although Glass Pieces and Pictures at an Exhibition are on the surface very different ballets, they both draw us into their world. I wish NYCB had been able to find more compelling middle ballets.

Ratmansky’s Solitude illuminates wartime tragedy

Joseph Gordon in Alexei Ratmansky's Solitude © Erin Baiano
Alexei Ratmansky’s poignant and gripping new work breaks ground at New York City Ballet in a powerful triple bill.

New York City Ballet Goes Four for Four

Megan Fairchild and Anthony Huxley with NYCB in Balanchine's Ballo della Regina © Erin Baiano
One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.

New York City Ballet nods to Jerome Robbins as winter season opens

Sebastian Villarini-Vélez, Emma Von Enck, Devin Alberda, NYCB in Jerome Robbins’ The Four Seasons © Erin Baiano
Some great and some lacklustre performances in the Jerome Robbins triple bill on opening night of New York City Ballet's winter season – and a missed opportunity.   

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.