Critiques récentesEn voir plus...
Elin Pritchard stands out in Holland Park’s Ballo in maschera
Elin Pritchard’s Amelia lights up an evening which is superb musically, easy on the eye and eventually overcomes the shortcomings of Antonio Somma's libretto.
Düstere Cavalleria / Pagliacci an der Bayerischen Staatsoper
Italienische Migration aus dem Süden in den wirtschaftlich attraktiveren Norden: starke Stimmen fokussieren auf archaische Züge und gesellschaftlichen Wandel in der Inszenierung von Francesco Micheli.
Costume drama at its finest: Andrea Chénier at The Royal Opera
The Royal Opera orchestra, chorus and a large cast bring their A game to Sir Antonio Pappano's last run as music director.
Full fathom five: Peter Grimes at La Fenice
Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.
Christof Loys preisgekrönter Peter Grimes am Theater an der Wien
Benjamin Brittens erste große Oper verschmilzt mit Christof Loys Inszenierung zu einem Gesamtkunstwerk.
Un ballo in maschera showcases Opera Holland Park at its best
Gaitanou’s direction of the singers is so exact that it becomes impossible to separate them from their characters.