Critiques récentesEn voir plus...
Darkness and light: Equilbey's period Fidelio in concert
Laurence Equilbey makes a convincing case for a younger, fresher Fidelio played on period instruments.
Staging on steroids: Verdi’s Rigoletto in Bregenz
Here was the much-loved three-act opera Rigoletto, yes, but chances are, it was one far beyond Verdi’s wildest dreams.
Girl power rules: Vienna State Opera with Die Frau ohne Schatten
The outstanding trio of Nylund, Stemme and Herlitzius soars above a Vienna State Opera Orchestra in thunderous form, led by Christian Thielemann to celebrate the Staatsoper's 150th birthday in style.
A bold update of Beethoven in Prague
Realism elbows aside romanticism in this dark departure from a star-studded tradition.
A revelatory Frau ohne Schatten in Munich
A musical performance of stunning quality underpins this revival of Krzysztof Warlikowski's lavish, ambiguous Strauss staging.
Excellent in parts: Meistersinger at Covent Garden
Holten's masonic lodge setting of Meistersinger gets a lot right but is occasionally uneven; Terfel and Hughes Jones are constantly good to listen to.
Watch VideoEn voir plus...
RomeFidelio (concert performance)
Beethoven: Fidelio
Sir Antonio Pappano; Rachel Willis-Sørensen; Simon O'Neill; Sebastian Holecek; Günther Groissböck