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Milling drives a dramatic Royal Opera Götterdämmerung
A standout performance from Stephen Milling complements all-round excellence of cast to provide a satisfying end to the Covent Garden Ring.
A fantastic tale, an outstanding cast: Siegfried at ROH
Wagner's storytelling shines brightly with the aid of a cast well out of the ordinary. Vinke, Stemme, Siegel and Lundgren make part 3 of The Ring an unforgettable evening of opera.
Skelton and Anger set the scene for a superb Walküre
We start with a triumphant Royal Opera debut from Stuart Skelton, we close with Nina Stemme at her finest; a thrilling orchestral performance links the two. A memorable Walküre.
The assault on Valhalla begins: Das Rheingold at ROH
Antonio Pappano and the Royal Opera Orchestra get the Ring cycle off to a blazing start; unusually, it's Lise Davidsen and the female cast who take the vocal honours.
A spirited Mikado revival at ENO
Miller eschews the oriental side of the tale, seeing The Mikado as a play on daft British eccentricity.
The cycle concludes: Götterdämmerung at the Royal Opera
Monumental in scale and scope, Götterdämmerung is a work to which it is hard to be indifferent. For many, the idea of an evening of fantasy opera lasting nearly seven hours is unimaginable, so uncongenial is the subject material and so great the attention span demanded.
