Artiste: Tom Randle

Lindy Hume's new production works reasonably well in allowing the story to be told with sufficient emotional weight.

The Linbury re-opens its doors to opera with a new work whose libretto is superbly crafted by Francesca Simon, featuring a tour de force performance by Marta Fontanals-Simmons as the Norse goddess Hel.

A superlative performance of Carmen that was certainly among the most thrilling performances New Zealand Opera has put on in recent memory.

Frank Martin’s Le Vin herbé is as anti-Wagnerian a work as you could imagine. It is also the odd one out in Welsh National Opera’s “Love’s Poisoned Chalice” spring season.

La magnífica producción de Elektra creada por Patrice Cheréau llega al Liceu bajo la dirección musical de Josep Pons, que al frente de la orquesta del teatro y junto a las voces de Herlitzius, Pieczonka y Meier recrean con gran éxito una de las parituras más bellas del s. XX.

Annie Proulx's love story between two men in rural Wyoming sees its opera première. Strong casting and an irregular score turn Spain into the capital of the opera.