Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

With Borderline Company Wang Ramirez explores dance on the ground and in the air

Par Jaime Robles, 26 février 2018
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à UC Berkeley, Zellerbach Hall, Berkeley, le 24 février 2018
Programme
Borderline (Compagnie Wang Ramirez)
Artistes
Compagnie Wang Ramirez
Voir plus de critiques Danse
Diverse influences of music and dance displayed in Dystopian Dream
Audrey Lemarchand, 27th November
When Nitin Sawhney envisioned a theatrical realisation of his album Dystopian Dream, Sébastien Ramirez and Honji Wang were commissioned to bring it to life on stage. Joined by singer Eva Stone, the result is a hybrid production of dance and music performances.
***11
Sébastien Ramirez and Honji Wang's Borderline
Tatiana Rathelot, 3rd October
A though-provoking fusion of b-boying, contemporary, theatre, rigging and much more.
****1
Fall For Dance 2
Ivan Talijancic, 10th October
Program Two of the Fall for Dance festival , at New York City Center, is an ionic choreographers' digest. With works by Child's, Forsythe (For Semperoper Ballet Dresden) Ramirez -Wang and Naharin (for Alvin Ailey American Dance Theater).
***11
Sébastien Ramirez and Honji Wang's Borderline
Tatiana Rathelot, 3rd October
A though-provoking fusion of b-boying, contemporary, theatre, rigging and much more.
****1
Eifman Ballet in a strangely psychological Pygmalion Effect
Jaime Robles, 31st May
Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.
***11
Xenos: The generous sorrow of Akram Khan
Jaime Robles, 2nd March
He turns and turns, elliptically and with the speed of a skater on ice. Sheer muscle defies gravity and the friction of feet on terra firma.
*****
Plus de critiques...
Lire critiques de
BorderlineCompagnie Wang Ramirez
Articles connexes
Loading image...
À la limite de la folie : entretien avec Sidi Larbi Cherkaoui
Loading image...
Le quotidien d'une ballerine : entretien avec Deborah Weiss
Top 10 des danseurs à suivre sur Instagram pendant son confinement
Loading image...
8 femmes chorégraphes qui ont révolutionné la danse
En voir plus de Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
Alonzo King's LINES Ballet takes a walk on the wild side
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.