Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

Alonzo King's LINES Ballet takes a walk on the wild side

Par Jaime Robles, 14 avril 2019
Chargement en cours, veuillez patienter...
Voir le listing complet
“There is something feral about Alonzo King's choreography”
Critique faite à Yerba Buena Center for the Arts Theater, San Francisco, le 12 avril 2019
Programme
Pole Star (Alonzo King)
Art Songs (Alonzo King)
Artistes
Alonzo King LINES Ballet
Alonzo King, Mise en scène
Robert Rosenwasser, Décors, Costumes
Voir plus de critiques Danse
Turn It Out with Tiler Peck & Friends: bubbling over with passion
Amanda Jennings, 12th March
Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered. 
****1
Stylish and stirring: Turn It Out With Tiler Peck & Friends
Carla Escoda, 16th October
Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.  
****1
Alvin Ailey American Dance Theater: sensational dancing
Carla Escoda, 5th December
An era has come to an end at Alvin Ailey American Dance Theater, its repertory in admirable shape, its dancers even more so. 
****1
Moments and misses in American Ballet Theatre's American Splendor
Erin Bomboy, 8th July
American Ballet Theatre shows its range with pieces from George Balanchine, Alonzo King, and Jessica Lang, but the dancing and choreography remain uneven throughout. 
***11
A diverse and entertaining triple bill from Rambert
Graham Watts, 18th May
Rambert presents an excellent cohort of expressive dancers, but the programme lacked an overall wow factor.
***11
An alluring Common Ground
Jaime Robles, 6th October
Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness. 
*****
Plus de critiques...
Lire critiques de
Alonzo KingAlonzo King LINES BalletJohann Sebastian BachRobert Rosenwasser
Articles connexes
Loading image...
« Je n'aime pas les musées » : entretien avec Alexandre Tharaud
Loading image...
À la limite de la folie : entretien avec Sidi Larbi Cherkaoui
Loading image...
Entretien avec David Fray : « le processus est plus intéressant que le résultat »
Loading image...
Antje Weithaas : « L’essentiel, c'est que chaque étudiant trouve sa propre voix »
En voir plus de Jaime Robles
Visions of Classical (Re)Vision in San Francisco
Eifman Ballet in a strangely psychological Pygmalion Effect
The solace of love in San Francisco Ballet’s Program 5: Lyric Voices
Xenos: The generous sorrow of Akram Khan
Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.