A surprise debut in Dallas

Par Bachtrack reviewer, 06 octobre 2014

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Meyerson Symphony Center, Dallas, le 4 octobre 2014

Mozart, Concerto pour piano no. 14 en mi bémol majeur, K449

Chostakovitch, Symphonie no. 8 en ut mineur, Op.65

Karina Canellakis, Direction

Emanuel Ax, Piano

Dallas Symphony Orchestra

Mutter dazzles in John Williams concerto at the Elbphilharmonie

Alexander Hall, 11th June

Fabio Luisi and the Dallas Symphony Orchestra continue their European tour, dropping anchor in Hamburg for Tchaikovsky's Fifth Symphony and a John Williams concerto written for the star German violinist.

***11

Rar und hochkarätig: Anne-Sophie Mutter und das DSO in Frankfurt

Alexandra Richter, 7th June

Zehn Jahre liegt die letzte Europa-Tournee des texanischen Orchesters zurück. In Frankfurt begeistern sie mit einem vielfältigen Programm unterstützt von der Stargeigerin Anne-Sophie Mutter

****1

Saraste finds beauty in tragedy with the Dallas Symphony

Sam Jacobson, 27th April

Jukka-Pekka Saraste conducts the Dallas Symphony in a Sibelius tone poem and a Shostakovich symphony, both works of great tragedy.

****1

Grimaud and McGegan perform Mozart masterpieces in Dallas

Zoltán Szabó, 29th January

Two minor key works, performed before a – limited – live audience in Dallas, and streamed online.

***11

French plus one: the Dallas Symphony in music of Fauré, Mozart, and Ravel

Bachtrack reviewer, 1st March

Extreme dynamics explored in Ravel's Daphnis et Chloé and Boléro presented by the Dallas Symphony Orchestra and Jaap van Zweden, complemented by Louis Lortie's Mozart.

****1

Dallas Symphony Orchestra with Matthias Goerne

Bachtrack reviewer, 25th January

Dallas Symphony Orchestra, led by Jaap van Zweden and featuring baritone Matthias Goerne, performed music by Britten, Mahler, and Brahms, in a concert where not enough was ultimately said, despite a strong return from Goerne.

***11

Plus de critiques...

Bachtrack reviewer

A surprise debut, for conductor and audience both, in Dallas