Creed at Sadler's Wells

Par Isadora Bausch, 25 juin 2011

Chargement en cours, veuillez patienter...

Critique faite à Sadler's Wells Theatre, Londres, le 21 juin 2011

Work no. 1020 (Martin Creed)

Paul Kilbey, 9th June

During the first half of this London Sinfonietta concert, I scribbled the phrase 'Lightly anarchic streak' in my notes, referring to the formal daring and the conspicuous rock music influence evident in various pieces.

****1

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

The Center Will Not Hold: Dorrance Dance thrills at Sadler's Wells

Daniel Pratt, 17th April

Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.

****1

Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality

Graham Watts, 7th April

A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.

*****

Paco Peña Flamenco Dance Company in Solera: sensational and sensual

Graham Watts, 2nd April

Solera is a mix of experience and youth blended to create excellent vintage flamenco at London's Sadler's Wells.

****1

English National Ballet’s Body and Soul: a very mixed bag

Deborah Weiss, 19th March

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

***11

Plus de critiques...

Isadora Bausch