Creed at Sadler's Wells

Par Isadora Bausch, 25 juin 2011

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Critique faite à Sadler's Wells Theatre, Londres, le 21 juin 2011

Work no. 1020 (Martin Creed)

Paul Kilbey, 9th June

During the first half of this London Sinfonietta concert, I scribbled the phrase 'Lightly anarchic streak' in my notes, referring to the formal daring and the conspicuous rock music influence evident in various pieces.

****1

Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality

Graham Watts, 7th April

A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.

*****

Paco Peña Flamenco Dance Company in Solera: sensational and sensual

Graham Watts, 2nd April

Solera is a mix of experience and youth blended to create excellent vintage flamenco at London's Sadler's Wells.

****1

English National Ballet’s Body and Soul: a very mixed bag

Deborah Weiss, 19th March

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

***11

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Scottish Ballet's Mary, Queen of Scots: some riveting performances

Jonathan Gray, 5th March

Sophie Laplane's Mary, Queen of Scots has a lot going for it, visually stunning with a pleasing score, but simplistic and overly rapid storytelling brings it to an underwhelming conclusion.

***11

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Isadora Bausch