Her name was Carmen, Irina Kolesnikova

Par Philippa Newis, 27 août 2016

Chargement en cours, veuillez patienter...

Voir le listing complet

“a fitting contribution to the rainbow of responses ... to a crisis unsurpassed in this generation.”

Critique faite à The London Coliseum, Londres, le 25 août 2016

Her name was Carmen (Andrei Kuznetsov-Vecheslov)

St Petersburg Ballet Theatre

Irina Kolesnikova, Danse

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Ballet Icons 20th anniversary gala offered a roster of star dancers

Amanda Jennings, 15th February

Many world class performances to enjoy in this 20th edition of the annual Ballet Icons Gala.

****1

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Akram Khan’s Giselle for ENB at the Coliseum: hauntingly mesmeric

Deborah Weiss, 15th January

ENB have brought Akram Khan’s Giselle to London's Coliseum for the first time. It’s looking better than ever and should not be missed.

*****

Candy-crazed: ENB’s sweet-toothed Nutcracker returns

Mark Pullinger, 11th December

Returning for its first anniversary, Arielle Smith and Aaron S Watkin’s Nutcracker for English National Ballet remains a feast for hungry eyes, despite its flaws.

***11

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Plus de critiques...

Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.

A modern twist on Carmen highlights the plight of Syrian refugees