Queensland Ballet revives Schaufuss' La Sylphide

Par Cristina de Lucas, 07 août 2015

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Critique faite à The London Coliseum, Londres, le 5 août 2015

La Sylphide (August Bournonville, Peter Schaufuss)

Queensland Ballet

Luke Schaufuss, Danse

Sarah Thompson, Danse

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Royal Danish Ballet bounce through Bournonville's A Folk Tale

Zoë Anderson, 17th October

Though Bournonville himself saw A Folk Tale as his finest work, it’s rarely performed outside Denmark. The Royal Danish Ballet bring fleet-footed buoyancy to it all.

****1

Pure Bournonville bounce: Johan Kobborg's La Sylphide in Prague

Deborah Weiss, 14th May

The Czech National Ballet bears all the hallmarks of a group of dancers who are hungry to learn and to embody whatever is offered to them.

*****

BRB2 in Carlos Acosta's Classical Selection is full of vitality

Graham Watts, 25th April

With five founding dancers in BRB2, this inaugural dance salad was embellished with other ingredients including the addition of seven members from the main company.

****1

A roller-coaster of diverse dance as ENB celebrates its 70th

Graham Watts, 17th January

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

****1

The Royal Danish Ballet "an expression of joy" in New York

Ivy Lin, 9th July

The program notes include a quote by August Bournonville that says, "The Dance ... is essentially an expression of joy." And in this short but sweet program the company proved that it can still give a master class in showing the joy of The Dance.

*****

Plus de critiques...

Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

Bournonville via Australia: Queensland Ballet brings Schaufuss' La Sylphide to London