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They had it coming: An unsettling Lady Macbeth of Mtsensk in Oslo

Par Aksel Tollåli, 04 avril 2016
Chargement en cours, veuillez patienter...
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“grotesqueness of the humour succeeded in making this already uncomfortable piece even more chilling”
Critique faite à Oslo Opera House, Main Stage, Oslo, le 1 avril 2016
Programme
Chostakovitch, Lady Macbeth of the Mtsensk District
Artistes
Norwegian National Opera
Alejo Pérez, Direction
Ole Anders Tandberg, Mise en scène
Erlend Birkeland, Décors
Svetlana Sozdateleva, Katerina Lvovna Izmailova
Alexey Kosarev, Sergey
Kjetil Støa, Zinoviy Borisovich Izmailov
Magne Fremmerlid, Boris Timofeyevich Izmailov
Tone Kummervold, Sonyetka
Knut Skram, Old Convict
Norwegian National Opera Orchestra
Norwegian National Opera Chorus
Voir plus de critiques Opéra
Wayne McGregor’s Jocasta’s Line offers powerful performances
Maggie Foyer, 13th September
A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.
****1
Alone and in love: Christoph Loy’s compelling new Onegin in Oslo
Aksel Tollåli, 15th February
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.
****1
Too many doors: Don Giovanni in Oslo
Aksel Tollåli, 29th May
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
Maybe it’s make-believe: a curious Norma in Oslo
Aksel Tollåli, 20th January
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
Into the abyss: a harrowing Wozzeck in Oslo
Aksel Tollåli, 25th November
Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.
*****
An underwhelming Barber in Oslo
Aksel Tollåli, 14th October
François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming. 
**111
Plus de critiques...
Lire critiques de
Alejo PérezAlexey KosarevDimitri ChostakovitchErlend BirkelandKjetil StøaKnut SkramLady Macbeth of the Mtsensk DistrictMagne FremmerlidNorwegian National OperaNorwegian National Opera ChorusNorwegian National Opera OrchestraOle Anders TandbergSvetlana SozdatelevaTone Kummervold
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Aksel Tollåli
Aksel Tollåli
Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.