An ecstatic, fevered Tatiana from Natalia Osipova

Par Mark Pullinger, 19 janvier 2020

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“Osipova is the Tatiana of one’s dreams, exquisitely danced, passionate, nothing held back”

Critique faite à Royal Opera House, Covent Garden, Londres, le 18 janvier 2020

Onéguine (John Cranko)

The Royal Ballet

Valery Ovsyanikov, Direction

Jürgen Rose, Décors, Costumes

Steen Bjarke, Lumières

Natalia Osipova, Danse

Reece Clarke, Danse

Francesca Hayward, Danse

Matthew Ball, Danse

Gary Avis, Danse

Orchestra of the Royal Opera House Covent Garden

Thiago Soares, Danse

Itziar Mendizabal, Danse

La première d’Onéguine, prélude aux adieux de Ganio et Pagliero

Laurine Mortha, 8th February

Le ballet de John Cranko sera la dernière danse de l’étoile Mathieu Ganio avant ses adieux à la scène, bientôt suivis de ceux de Ludmila Pagliero... ce qui rend la production d'autant plus bouleversante.

*****

Onéguine, un poème chorégraphique élégiaque

Jade Larine, 13th February

Cet Onéguine dansé restitue avant tout deux univers russes révolus, l'un bucolique et l'autre impérial, composant ainsi un poème chorégraphique d'une infinie poésie.

****1

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

Emotivo Romeo y Julieta en el Municipal de Santiago

Pedro Carcey, 15th April

La producción del Municipal de Santiago de Romeo y Julieta ofreció una versión emotiva y de una narrativa eficaz para recrear la trágica historia de los amantes de Verona.

****1

Hot ice: Osipova and Brændsrød sizzle in Cranko’s Onegin

Mark Pullinger, 3rd June

Natalia Osipova, a seasoned Tatiana, is joined by Lukas B Brændsrød, making his debut as Onegin in the summer return of John Cranko's take on Pushkin's classic verse novel.

*****

The Royal Ballet in Onegin: supreme performances across the board

Graham Watts, 22nd January

The welcome revival of a borrowed jewel in The Royal Ballet's treasure chest of story ballets.

*****

Plus de critiques...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

An ecstatic, fevered Tatiana from Natalia Osipova as Cranko's Onegin returns