A very long Late Night with BBC 6 Music

Par Charlotte Valori, 06 août 2015

Chargement en cours, veuillez patienter...

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Critique faite à Royal Albert Hall, Londres, le 5 août 2015

Mary Anne Hobbs, Présentation

Nils Frahm, Piano

A Winged Victory for the Sullen

London Brass

Company Wayne McGregor

De l’électro à l’Opéra Garnier avec Tree of Codes

Laurine Mortha, 8th February

Wayne McGregor est de retour à l’Opéra de Paris pour présenter Tree of Codes, en collaboration avec le compositeur électro Jamie xx et le plasticien Olafur Eliasson. Mais aussi sympathique soit-elle à voir, la chorégraphie ne propose pas grand-chose d’autre que son caractère branché, purement décoratif, en fait de concept artistique.

**111

McGregor’s Deepstaria explores the deepest recesses of the oceans

Graham Watts, 27th February

A visually striking and thought-provoking work requiring continual concentration to absorb.

***11

Company Wayne McGregor: Autobiography (v95) – too much noise!

Graham Watts, 12th March

Extraordinary dancers performing extraordinary movement, but the noise was too invasive.

***11

UniVerse: A Dark Crystal Odyssey is overwhelmed by technology

Graham Watts, 17th May

Outstanding dance, right up there in the top drawer of McGregor’s choreography, but would have been better seen in a less accessorised state.

**111

Enchanting Alessandra Ferri returns in Wayne McGregor's Woolf Works

Graham Watts, 1st March

Every decade or so, The Royal Ballet creates a new work that will endure in its signature collection, and there's little doubt that Woolf Works deserves its place among that elite.

****1

Autobiography de un cuerpo sin rostro por Company Wayne McGregor

Cintia Borges Carreras, 7th December

El algoritmo matemático de Autobiography descodifica cuerpos, fragmenta la memoria y altera el equilibrio emocional a través de un montaje atlético y un paisaje lumínico con narrativa propia.

****1

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Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.

Prom 27: A very long Late Night with BBC 6 Music