Bachtrack logo
Agenda
Tous les spectaclesConcertsOpéraDanseEnfantsMaster classesConcoursFestivals
Critiques
Toutes les critiquesCritiques concertCritiques opéraCritiques danse
Articles
Tous les articlesDossiersInterviewsOpinionPlaylist
Actualités
Vidéo
Accueil VidéoTous les vidéosStreamingConcertsOpéraDanseEnfantsMaster classesÉditeurs
Site
À proposNous contacterRenvoi vers notre siteConditions d'utilisationCookiesConfidentialité
Jeunes artistes
Voyage
AgendaCritiquesArticlesVidéo

Twyla Tharp's "50th Anniversary Celebration," spirited, but lacking in unity

Par Teresa Heiland, 04 octobre 2015
Chargement en cours, veuillez patienter...
Voir le listing complet
“Yowzie ... hit us from all sides like a carnival barker demanding our attention”
Critique faite à The Wallis, Los Angeles, le 3 octobre 2015
Programme
Preludes and Fugues (Twyla Tharp)
Yowzie (Twyla Tharp)
Artistes
Ezralow Dance Company
Daniel Baker, Danse
Nicholas Coppula, Danse
Matthew Dibble, Danse
Eric Otto, Danse
John Selya, Danse
Reed Tankersley, Danse
Ron Todorowski, Danse
Rika Okamoto, Danse
Amy Ruggiero, Danse
Ramona Kelley, Danse
Eva Trapp, Danse
Savannah Lowery, Danse
Kaitlyn Gilliland, Danse
Voir plus de critiques Danse
American Ballet Theatre: Twyla Tharp still has it!
Ivy Lin, 15th October
Twyla@60: A Tharp Celebration is an overall triumph though not just for Tharp, but for Susan Jaffe’s vision for American Ballet Theatre.
****1
Twyla Tharp's Diamond Jubilee: disappointments and delights
Ivy Lin, 12th March
Despite my reservations about Diabelli, there is no doubt Twyla Tharp is one of the most inventive, adventurous voices in dance still (and she's 83). She deserves her flowers.
****1
Kingdom of the Shades is a company's ultimate test
Ivy Lin, 27th October
Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.
****1
American Ballet Theatre captivates in a thrilling triple bill
Ivy Lin, 20th October
Just as there can never be a bad performance of Serenade, there are no bad performances of In the Upper Room. It practically dances itself.
****1
Twyla Tharp: still cool after all these years
Ivy Lin, 13th February
Two world premieres and a piece created in 1975. Tharp herself came onstage to raucous applause. She might be “pop dance”, but audiences love it.
*****
Alvin Ailey American Dance Theater's Modern Masters: explosive style
Deborah Weiss, 6th September
Alvin Ailey American Dance Theater proves its versatility in this Sadler's Wells programme, confirming its place as one of the world's greatest dance companies.
****1
Plus de critiques...
Lire critiques de
Amy RuggieroEva TrappJohann Sebastian BachJohn SelyaKaitlyn GillilandMatthew DibbleRamona KelleyReed TankersleySavannah LoweryTwyla Tharp
Articles connexes
Loading image...
« Je n'aime pas les musées » : entretien avec Alexandre Tharaud
Loading image...
À la limite de la folie : entretien avec Sidi Larbi Cherkaoui
Loading image...
Entretien avec David Fray : « le processus est plus intéressant que le résultat »
Loading image...
Antje Weithaas : « L’essentiel, c'est que chaque étudiant trouve sa propre voix »
Teresa Heiland
Teresa Heiland
Teresa, who holds a PhD in Dance Education from New York University, teaches Dance Pedagogy, Somatics, and Laban Movement Analysis. Her research is presented in monographs, Geographies of Dance: Body, Movement, and Corporeal Negotiations, and Dance: Current Selected Research: A Twenty-Year Retrospective/Focus on Movement Analysis, and in Journal of Dance Education, Journal of Imagery in Sport and Physical Activity, and Research in Dance Education. She also reviews dance for LA Dance Review.