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Salle: Bord Gáis Energy Theatre, Dublin

Fichier de données
AdresseGrand Canal Square, Docklands
Dublin
Dublin 2
Irlande
Google maps53° 20' 59.299" N 6° 15' 37.115" W
mars 2026
lun.mar.mer.jeu.ven.sam.dim.
23242526272801
02030405060708
09101112131415
16171819202122
23242526272829
30310102030405
Soirée
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Événements à venirEn voir plus...

DublinRusalkaNouvelle production

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Dvořák: Rusalka
Fergus Sheil; Netia Jones; Irish National Opera; Lotta Hammarstrand; Irish National Opera Orchestra

DublinLes Ballets Trockadero de Monte Carlo

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compositeurs divers: Mixed Programme
Les Ballets Trockadero de Monte Carlo
Critiques récentesEn voir plus...

Charting new waters: Flying Dutchman brings Wagner back to Ireland

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Ireland’s first Wagner opera in over a decade dazzles with a captivating production by Rachael Hewer for Irish National Opera. 

Terrifically strong principals in Irish National Opera’s Rigoletto

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Michael Chioldi, Soraya Mafi and Bekhzod Davronov shine in Julien Chavez’ energetic production in Dublin’s Bord Gais Theatre. 

Gore and psychotic desire: INO stages a magnificent Salome

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Bruno Ravella's production features excellent singing from its principals in Dublin, but it is Sinéad Campbell-Wallace who shines as the eponymous heroine. 

A magnificent Bohème at Irish National Opera

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Orpha Phelan directs a terrific cast of singers in an inventive and faithful production making for an evening to remember. 

Irish National Opera's entertaining Carmen is a hit in Dublin

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Paul Curran's production of Carmen is entertaining and slick, with Paula Murrihy as a feisty heroine.

An entertaining Cenerentola from Irish National Opera

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Excellent soloists, inventive sets and fine direction from Sheil and Phelan makes for an entertaining Cenerentola at the Bord Gais Energy Theatre Dublin. 

Celine Byrne makes INO's Butterfly a memorable experience

Byrne is stunning in the title role while a strong cast of singers, orchestra, classic sets and dramatic acting make this a thoroughly enjoyable performance. 

An Aida that strips away the Egyptian iconography

Michael Barker-Caven sets Aida in a 21st-century war zone in the Middle-East, allowing the audience to focus on the human drama.