Événements à venirEn voir plus...
TurinRomeo and Juliet
Prokofiev: Roméo et Juliette
John Cranko; The Czech National Ballet; Václav Zahradník; Jürgen Rose; Valentin Däumler
TurinSwan Lake
Tchaïkovski: Le Lac des cygnes
Marius Petipa; Lev Ivanov; Latvian National Ballet; Juan Guillermo Nova; Robert Perdziola; Ainārs Pastars; Orchestra del Teatro Regio di Torino
TurinLa Cenerentola
Rossini: La Cenerentola (Cendrillon)
Antonino Fogliani; Manu Lalli; Teatro Regio di Torino; Roberta Lazzeri; Gianna Poli; Vincenzo Apicella; Orchestra del Teatro Regio di Torino
TurinWaves
Bernstein, Britten
Orchestra del Teatro Regio di Torino; Coro del Teatro Regio di Torino; Wayne Marshall
TurinMacbethNouvelle production
Verdi: Macbeth
Riccardo Muti; Chiara Muti; Teatro Regio di Torino; Alessandro Camera; Ursula Patzak; Vincent Longuemare; Orchestra del Teatro Regio di Torino
TurinFarewells
Strauss R., Brahms
Orchestra del Teatro Regio di Torino; Bertrand de Billy; Maria Bengtsson
TurinDialogues des Carmélites
Poulenc: Dialogues des Carmélites
Yves Abel; Robert Carsen; Teatro Regio di Torino; Michael Levine; Falk Bauer; Orchestra del Teatro Regio di Torino
Critiques récentesEn voir plus...
Entre Turin et Memphis, une Aïda loin d’être poussiéreuse !
Pour l’ouverture de la saison du Teatro Regio de Turin portait à l’affiche le très célèbre Aïda de Giuseppe Verdi. Le montage du chef-d’œuvre amenait une collaboration inédite avec le Museo Egizio de la ville, considéré comme l’une des collections archéologiques égyptiennes les plus riches du monde après le Musée du Caire.
Riccardo Muti triumphs with Un ballo in maschera in Turin
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The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti.
Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin
Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.
The Pearl Fishers: Turin opens its operatic season
The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.
The first modern staged performance of Paër’s Agnese in Turin
The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.
In Turin's Trovatore, the women carry the day
Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.
A strong Italian cast for Così fan tutte in Turin
Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.
On the female condition: two 20th-century operas in Turin
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.