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Oeuvre: Juliette, ou La clé des songes

Rechercher des événements de musique classique, opéra et ballet
Fichier de données
CompositeurMartinů, Bohuslav (1890-1959)
ÉpoqueDébut du 20ème siècle
Année1938
Type d'œuvreOpéra / Oratorio
Critiques récentesEn voir plus...

A Dream team at Staatsoper Berlin for Martinů's Juliette

An outstanding premiere of Bohuslav Martinů's Juliette at the Schiller Theater in Berlin has a delighted public jumping to their feet with applause.

Julietta: Ambiguity with a capital “A”

Julietta, Bohuslav Martinů’s seldom performed surrealistic opera of dreams and lost identity recently premiered in a new Zurich production.

Surrealism in the opera house: Martinů's Julietta at ENO

For a Parisian, the accordion is the musical instrument most redolent of memories and dreams. So for Bohuslav Martinů's surrealist opera Julietta, written in Paris and infused with a discombobulating jumble of memories and dreams, Antony McDonald's sets were masterpieces: in each of three acts, the stage is dominated by a giant accordion which is more or less the size of the whole stage.
Articles récents

The logic of dreams: Bohuslav Martinů’s Julietta

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Dramaturg Aleš Březina explores Bohuslav Martinů’s unique operatic forey into the world of dreams, which combined avant garde surrealism with a wide array Czech musical influences.

Bachtrack top ten: Bohuslav Martinů

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Bohuslav Martinů was a true cosmopolitan: Czech, but spending much of his life in France and the United States, writing in an eclectic style that drew on many influences.