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Fichier de données
| Compositeur | Martinů, Bohuslav (1890-1959) | 
| Époque | Début du 20ème siècle | 
| Année | 1938 | 
| Type d'œuvre | Opéra / Oratorio | 
Critiques récentesEn voir plus...
A Dream team at Staatsoper Berlin for Martinů's Juliette
An outstanding premiere of Bohuslav Martinů's Juliette at the Schiller Theater in Berlin has a delighted public jumping to their feet with applause.
Julietta: Ambiguity with a capital “A”
Julietta, Bohuslav Martinů’s seldom performed surrealistic opera of dreams and lost identity recently premiered in a new Zurich production.
Surrealism in the opera house: Martinů's Julietta at ENO
For a Parisian, the accordion is the musical instrument most redolent of memories and dreams. So for Bohuslav Martinů's surrealist opera Julietta, written in Paris and infused with a discombobulating jumble of memories and dreams, Antony McDonald's sets were masterpieces: in each of three acts, the stage is dominated by a giant accordion which is more or less the size of the whole stage.
Articles récents
The logic of dreams: Bohuslav Martinů’s Julietta
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Dramaturg Aleš Březina explores Bohuslav Martinů’s unique operatic forey into the world of dreams, which combined avant garde surrealism with a wide array Czech musical influences. 
Bachtrack top ten: Bohuslav Martinů
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Bohuslav Martinů was a true cosmopolitan: Czech, but spending much of his life in France and the United States, writing in an eclectic style that drew on many influences. 
