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Fichier de données
| Compositeur | Martinů, Bohuslav (1890-1959) |
| Époque | Début du 20ème siècle |
| Année | 1938 |
| Type d'œuvre | Opéra / Oratorio |
Critiques récentesEn voir plus...
A Dream team at Staatsoper Berlin for Martinů's Juliette
An outstanding premiere of Bohuslav Martinů's Juliette at the Schiller Theater in Berlin has a delighted public jumping to their feet with applause.
Julietta: Ambiguity with a capital “A”
Julietta, Bohuslav Martinů’s seldom performed surrealistic opera of dreams and lost identity recently premiered in a new Zurich production.
Surrealism in the opera house: Martinů's Julietta at ENO
For a Parisian, the accordion is the musical instrument most redolent of memories and dreams. So for Bohuslav Martinů's surrealist opera Julietta, written in Paris and infused with a discombobulating jumble of memories and dreams, Antony McDonald's sets were masterpieces: in each of three acts, the stage is dominated by a giant accordion which is more or less the size of the whole stage.
Articles récents
Songs from home: Magdalena Kožená in conversation
Awarded with the 2025 Antonín Dvořák Award together with her husband Sir Simon Rattle, Magdalena Kožená talks about the richness of Czech music, language barriers, and the importance of reading programme notes.
The logic of dreams: Bohuslav Martinů’s Julietta
Dramaturg Aleš Březina explores Bohuslav Martinů’s unique operatic forey into the world of dreams, which combined avant garde surrealism with a wide array Czech musical influences.
Bachtrack top ten: Bohuslav Martinů
Bohuslav Martinů was a true cosmopolitan: Czech, but spending much of his life in France and the United States, writing in an eclectic style that drew on many influences.