Alexander Whitley | Bachtrack

By Alexandra Desvignes, 23 October 2014

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“My work attempts to explore ideas in movement rather tell stories through it”

Deborah Weiss, 2nd March

We sit down with Ballet Black’s artistic director Cassa Pancho and dancers Isabela Coracy and Ebony Thomas, to discover the challenges and achievements of the company’s first 25 years.

Former ENB Artistic Director Matz Skoog has died aged 69

Bachtrack, 9th February

The Swedish-born ballet star shaped generations of dancers and left a lasting imprint on British and international ballet.

Ukrainian ballerina Katja Khaniukova honoured

Bachtrack, 22nd January

The Order of Princess Olha was bestowed on her on Ukraine's Day of Unity by the President of Ukraine, Volodymyr Zelenskyy.

Force of passion: the origins of Ballet Rambert

Alexander Simpkins, 12th December

A century after its founding in 1926, former members of Ballet Rambert recall the joys and challenges of working directly with Dame Marie Rambert, one of the trailblazers of British ballet.

Inventing the diva: ballet stars of the 19th century

Elsa Giovanna Simonetti, 3rd December

The great ballerinas of the 19th century were perhaps the first modern celebrities. Rather than bare all, their images cultivated a mysterious, supernatural aura that made them seem unattainable.

BRB’s Sofia Liñares on Sir Peter Wright’s The Nutcracker

Bachtrack, 17th November

Birmingham Royal Ballet soloist Sofia Liñares talks about the joys and fears of dancing multiple roles and performances of Sir Peter Wright’s The Nutcracker.

Alexandra Desvignes

Alexandra was previously Bachtrack's Dance Editor. She trained as a professional dancer both in Paris and London and has performed for various ballet, opera, commercial and film productions, as well as independent projects. She studied Literature and Art History at the Open University. previously worked as Bachtrack's press coordinator, and continues to write for Bachtrack, in London and in Paris. She has previously contributed to English National Ballet's blog.

In conversation with Alexander Whitley