Schillerndes Kontrastprogramm: Les Martyrs am MusikTheater an der Wien

Roberta Mantegna (Pauline)

John Osborn (Polyeucte)

David Steffens (Félix) und Roberta Mantegna (Pauline)

Balletteinlage

John Osborn (Polyeucte) und Mattia Olivieri (Sévère)

Mattia Olivieri (Sévère) und Roberta Mantegna (Pauline)

Les Martyrs

David Steffens (Félix)

David Steffens (Félix) und Mattia Olivieri (Sévère)

Roberta Mantegna (Pauline)

By Norman Schwarze, 21 September 2023

Loading, please wait...

See full listing

“Oper ist, soll und darf politisch sein”

Reviewed at MuseumsQuartier Wien: Halle E, Vienna on 20 September 2023

Donizetti, Les Martyrs

MusikTheater an der Wien

Jérémie Rhorer, Conductor

Cezary Tomaszewski, Director

Aleksandra Wasilkowska, Set Designer, Costume Designer

Jędrzej Jęcikowski, Lighting Designer

ORF Vienna Radio Symphony Orchestra

Arnold Schoenberg Choir

Krzysztof Kaczmarek, Video

Jakub Momro, Dramaturgy

Christian Schröder, Dramaturgy

Roberta Mantegna, Pauline

David Steffens, Félix

Patrick Kabongo, Néarque

John Osborn, Polyeucte

Mattia Olivieri, Sévère

Nicolò Donini, Callisthènes

Barbara Olech, Choreography

Erwin Ortner, Choirmaster / chorus director

Stefan Herheim’s bold Fledermaus at MusikTheater an der Wien

Chanda VanderHart, 13th October

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

****1

Miroslav Srnka’s Voice Killer premieres at MusikTheater an der Wien

Chanda VanderHart, 16th June

At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.

****1

Fish, frocks and farce: a Prokofiev romp in Vienna

Chanda VanderHart, 28th March

Damiano Michieletto directs a slick and frequently hilarious staging of Prokofiev's comic opera Betrothal in a Monastery.

***11

Grigorian and Akhmetshina dazzle in a secular Norma

Chanda VanderHart, 19th February

In a week where Vienna welcomes two new productions of Bellini's Norma, MusikTheater an der Wien sets a high bar with Vasily Barkhatov's staging.

****1

Freitag, der Dreizehnte celebrates Schoenberg at the Reaktor

Chanda VanderHart, 28th April

What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.

****1

Not quite a premiere, not quite a success: Salieri’s Kublai Khan

Chanda VanderHart, 7th April

Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.

***11

More reviews...

Norman Schwarze

Norman ist Münchner, absoluter Reisefanatiker, Blogger und Opernliebhaber seit frühester Kindheit. Besonders begeistert er sich für progressive Inszenierungen und Stücke des 21. Jahrhunderts. Nach seinem Studium der Allgemeinen Sprachwissenschaften orientierte er sich neu und arbeitet nun als Produktmanager im Börsenumfeld. Das ist sein Blog: www.annees-de-pelerinage.com

Schillerndes Kontrastprogramm: Donezettis Les Martyrs am MusikTheater an der Wien