Rossini zum Abheben schön: La gazza ladra am MusikTheater an der Wien

Nino Machaidze (Ninetta)

Robert Lillinger (Hammerklavier), Nino Machaidze (Ninetta) und Paolo Bordogna (Fernando Villabella)

Nahuel di Piero (Gottardo) und Timothy Connor (Giorgio)

Nino Machaidze (Ninetta)

Nino Machaidze (Ninetta) und Maxim Mironov (Gianetto)

By Norman Schwarze, 20 November 2022

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“Tobias Kratzer gelingt hier wahrlich Meisterliches”

Reviewed at MuseumsQuartier Wien: Halle E, Vienna on 18 November 2022

Rossini, La gazza ladra (The Thieving Magpie)

MusikTheater an der Wien

Antonino Fogliani, Conductor

Tobias Kratzer, Director

Rainer Sellmaier, Set Designer, Costume Designer

Michael Bauer, Lighting Designer

ORF Vienna Radio Symphony Orchestra

Arnold Schoenberg Choir

Manuel Braun, Video

Jonas Dahlberg, Set Designer

Bettina Bartz, Dramaturgy

Nino Machaidze, Ninetta

Fabio Capitanucci, Fabrizio Vingradito

Marina de Liso, Lucia

Maxim Mironov, Giannetto

Paolo Bordogna, Fernando Villabella

Diana Haller, Pippo

Riccardo Botta, Isacco

Nahuel Di Pierro, Il Podestà

Erwin Ortner, Choirmaster / chorus director

Stefan Herheim’s bold Fledermaus at MusikTheater an der Wien

Chanda VanderHart, 13th October

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

****1

Miroslav Srnka’s Voice Killer premieres at MusikTheater an der Wien

Chanda VanderHart, 16th June

At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.

****1

Fish, frocks and farce: a Prokofiev romp in Vienna

Chanda VanderHart, 28th March

Damiano Michieletto directs a slick and frequently hilarious staging of Prokofiev's comic opera Betrothal in a Monastery.

***11

Grigorian and Akhmetshina dazzle in a secular Norma

Chanda VanderHart, 19th February

In a week where Vienna welcomes two new productions of Bellini's Norma, MusikTheater an der Wien sets a high bar with Vasily Barkhatov's staging.

****1

Freitag, der Dreizehnte celebrates Schoenberg at the Reaktor

Chanda VanderHart, 28th April

What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.

****1

Not quite a premiere, not quite a success: Salieri’s Kublai Khan

Chanda VanderHart, 7th April

Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.

***11

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Norman Schwarze

Norman ist Münchner, absoluter Reisefanatiker, Blogger und Opernliebhaber seit frühester Kindheit. Besonders begeistert er sich für progressive Inszenierungen und Stücke des 21. Jahrhunderts. Nach seinem Studium der Allgemeinen Sprachwissenschaften orientierte er sich neu und arbeitet nun als Produktmanager im Börsenumfeld. Das ist sein Blog: www.annees-de-pelerinage.com