Nézet-Séguin eröffnet die Salzburger Festspiele 2016

By Daniel Url, 25 July 2016

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“Müller und Finley beschworen eine wahrhaft paradiesische Atmosphäre herauf”

Reviewed at Großes Festspielhaus, Salzburg on 22 July 2016

Haydn, The Creation (Die Schöpfung), Hob XXI:2

Chamber Orchestra of Europe

Bavarian Radio Choir

Yannick Nézet-Séguin, Conductor

Peter Dijkstra, Choirmaster / chorus director

Hanna-Elisabeth Müller, Soprano

Werner Güra, Tenor

Gerald Finley, Bass

Chamber Orchestra of Europe brings all-Brahms evening to Philadelphia

Cameron Kelsall, 10th December

Conducted by honorary member Yannick Nézet-Séguin, the COE’s all-Brahms concert features the composer's First Symphony and final major work, the Double Concerto for Violin and Cello.

****1

Beauty from Iestyn Davies, energy from Robin Ticciati in Gstaad

David Karlin, 2nd February

Iestyn Davies shows how to make every word count in a fairly standard sampler of Baroque arias; Ticciati is a fireball on the podium with the Chamber Orchestra of Europe.

***11

Robin Ticciati shuffles incidental music with the COE

Alexander Hall, 19th April

Beethoven was the spiritus rector of Ticciati's COE concert at the Elbphilharmonie, with Lisa Batiashvili in commanding form for that composer's fiddle concerto.

****1

Jansen dazzles Antwerp in fine Prokofiev with Pappano and the COE

Clare Varney, 3rd December

Janine Jansen’s exquisite reading of Prokofiev's First Violin Concerto leaves the Belgian audience on a high.

****1

Yannick Nézet-Séguin's Beethoven cycle concludes

Alexander Hall, 10th July

Nézet-Séguin and the Chamber Orchestra of Europe bring to a triumphant end their Beethoven cycle in Baden-Baden with coruscating performances of the Second and Third Symphonies.

*****

Nézet-Séguin and the COE bring Beethoven to Baden-Baden

Cameron Kelsall, 4th July

The elegance of the First Symphony served as a perfect curtain raiser for the mammoth, exultant Ninth.

*****

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Daniel Url

Daniel Url hat Musik- & Tanzwissenschaft in Salzburg und Trondheim (Norwegen) studiert. Sein Hauptinteresse gilt der Oper (besonders Wagner und Strauss) und Gesang im Allgemeinen, aber auch großen sinfonischen Werken. Auf der Suche nach der perfekten Opernaufführung durchstreift er regelmäßig die großen Opernhäuser des gesamten deutschsprachigen Raums.

„Gott sah, dass es gut war“: Yannick Nézet-Séguin eröffnet die Salzburger Festspiele 2016