Jessica Pratt leads a strong cast in a beautiful performance of one of Rossini’s unjustly forgotten masterpieces, under the spectacular baton of Roberto Abbado, despite an unremarkable new production by Jean-Louis Grinda.
The ROF presents a new, cheeky production of Adelaide, by Arnaud Bernard, based on a unoriginal but very well executed “meta-theatrical” take, with an exemplary cast.
Cristina Burack studied piano and flute for many years, before earning her BM in Voice and Opera performance at Northwestern University, with a strong focus on German Lieder, as well as a BA in History. After continuing her vocal studies in Vienna, she turned her professional focus to communications. She is a freelance journalist who particularly enjoys covering the intersection of music, history and politics.
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