Russian mezzo-soprano Aigul Akhmetshina discusses the role of Carmen and reflects on the fantastic opportunities fate has thrown her way since joining The Royal Opera's young artist programme.
Carmen has always been in my head as a “pretty” opera: lovely tunes, colourful setting, exotically alluring gypsy brushing up against hunky bullfighter and handsome soldier - not exactly French Grand Opera, perhaps, but a far cry from gritty verismo.
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