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Chiara e SerafinaNew production

This listing is in the past
Teatro SocialeVia Bartolomeo Colleoni, 4, Bergamo, Lombardy, 24129, Italy
Dates/times in Rome time zone
Performers
Fondazione Donizetti
Sesto QuatriniConductor
Gianluca FalaschiDirector, Set Designer, Costume Designer
Emanuele AgliatiLighting Designer
Gli Originali Orchestra
Coro del Teatro alla Scala
Pietro SpagnoliBaritoneDon Meschino2022 Nov 25, Dec 04 mat
Giuseppe De LucaSpoken wordDon Meschino2022 Nov 19
Giuseppe De LucaSpoken wordGennaro
Aleksandrina MihaylovaSopranoChiara
Greta DoveriSopranoChiara
Fan ZhouSopranoSerafina
Nicole WackerSopranoSerafina
Hyun-Seo Davide ParkTenorDon Ramiro
Sung-Hwan Damien ParkBaritonePicaro
Valentina PluzhnikovaSopranoLisetta
Mara GaudenziMezzo-sopranoAgnese
Matías MoncadaBassDon Fernando, Don Alvaro

The rediscovery of the 2022 DO is certainly Chiara e Serafina, the title of the #Donizetti200 project, with which in every edition of the Festival we present an opera written by Donizetti two hundred years earlier. In 1822, with Chiara e Serafina 25-year-old Gaetano made his debut at La Scala. For contingent reasons, due above all to Felice Romani’s considerable delay in delivering the libretto, which forced the composer to work even faster than usual, this semi-serious opera was a “fiascone decisissimo” (‘a huge fiasco’), to quote another of Donizetti’s librettos, that of Le convenienze e inconvenienze teatrali. Since then, Chiara e Serafina has never been performed. At the Teatro Sociale, the Festival offers this opera the chance to take a curtain call without the inconveniences of a world premiere, entrusting it to a company of young singers and to the Choir of the Accademia del Teatro alla Scala, with the great Pietro Spagnoli as chaperone in the role of Don Meschino. On the podium, a rising Italian conductor, Sesto Quatrini; direction, set designs and costumes by Gianluca Falaschi; the orchestra Gli Originali continues its exploration of the original instruments of Donizetti’s time.

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