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Ginger Costa-Jackson is no stranger to Carmen, and in her latest assumption of the role she brings a countercultural flair to the doomed gypsy.

Despite an early misadventure, Teatro dell'Opera di Roma launches Maurizio Scaparro's staging of Rossini's comic opera with panache. 

This first-time Neapolitan performance of Gounod's masterpiece is destined to leave a lasting impression in the audience's memory.

A triumphant house debut for Nadine Sierra in the latest revival of Laurent Pelly’s production of Donizetti's joyous village rom-com. 

Mariame Clément's hilarious and brilliantly original staging of Rossini's opera buffa is served with a generous helping of Rossinian bel canto. Who could ask for more?

Carmela Remigio excels as the Trojan Queen; Sesto Quatrini conducts a superb account of the music of a Calabrian composer who died far too young.

An opera which has not only a historical and philological interest for scholars and experts, but is of great musical value.

A positive debut as stage director for soprano Stefania Bonfadelli in Verdi's early comic opera.

Proposée dans le cadre du festival annuel de l'Opéra de Lyon, la nouvelle production de l'ouvrage de Puccini ne prend pas vraiment, et laisse l’impression d’une promesse incomplètement tenue.

Dans une production toulousaine de 2001, l’opéra de Donizetti revient sur les planches du Théâtre du Capitole et marque essentiellement par la belle composition du duo Paolo Fanale – Vannina Santoni.

Damiano Michielettos Inszenierung bietet einen durchwachsenen Abend, wenn auch mit filigranem Orchester unter der Leitung von Sestro Quatrini.