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Classical music, opera, ballet and dance in Italy

Use Bachtrack's search facility to find concerts, opera and dance events not only in this country but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

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RomeVerdi: Requiem / Myung-Whun Chung

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Verdi: Messa da Requiem
Orchestra dell'Accademia Nazionale di Santa Cecilia; Myung-whun Chung; Coro dell'Accademia Nazionale di Santa Cecilia; Ailyn Pérez; Ekaterina Semenchuk; René Barbera

VeniceFrench quintets

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Onslow
Ensemble Tamuz; Unknown

RomeKian Soltani / Jae Hong Park

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Vali, Schubert, Rachmaninov
Kian Soltani; Jaehong Park

RomeJoana Mallwitz / Augustin Hadelich

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Kodály, Tchaikovsky, Beethoven
Orchestra dell'Accademia Nazionale di Santa Cecilia; Joana Mallwitz; Augustin Hadelich

RomeArcadi Volodos

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Bach, Chopin, Schubert
Arcadi Volodos, Piano
Latest reviewsSee more...

Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

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Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

****1
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Handel’s Il trionfo del tempo e del disinganno returns to Rome

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Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707. 
****1
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José Martínez unveils his latest Don Quichotte in Palermo

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José Martínez has envisioned a Don Quichotte that recalls the original 19th century choreography while also acknowledging some of the notable 20th century versions and it's splendid looking.
****1
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Rosa Feola’s Lucia rescues a San Carlo production showing its age

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Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.
***11
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Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

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In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos
****1
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