Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.
The Dresden Semperoper premiered a new production of Fidelio scarcely a month before the fall of East Germany. Much has changed in the intervening decade and a bit, but the Semperoper is still playing the same Fidelio. It doesn't take much knowledge of recent German history to understand why it was a sensation at the time.
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