A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.
There are times a tarnhelm would come in useful. Limited to more conventional means of transport, this reviewer found that it took a ridiculous hour and a half to drive from Soho to Fulham, as a result of which I’m afraid I missed the opening scene of Fulham Opera’s Götterdämmerung.
***11
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