The Finnish soprano doesn’t like the word evil. Her approach to singing villain roles is to find the humanity in the character – which is always there.
Although professing a great admiration for Mascagni and Cavalleria rusticana in particular, Janáček’s concept of Slavic verismo is diametrically different.
***11
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.