Bachtrack logo
What's on
Reviews
Articles
News
Video
Site
Young artists
Travel

Lucia di Lammermoor

This listing is in the past
Teatro Real: Sala PrincipalPlaza de Isabel II, s/n, Madrid, 28013, Spain
Dates/times in Madrid time zone
Programme
Donizetti, Gaetano (1797-1848)Lucia di LammermoorLibretto by Salvadore Cammarano
Performers
Teatro Real
Daniel OrenConductor
David AldenDirector
Charles EdwardsSet Designer
Brigitte ReiffenstuelCostume Designer
Coro Titular del Teatro Real
Orquesta Titular del Teatro Real
Lisette OropesaSopranoLucia2018 Jun 22, 25, 28, Jul 01, 04, 07, 10, 13
Venera GimadievaSopranoLucia2018 Jun 23, 26, 29, Jul 02, 05, 08, 11
Javier CamarenaTenorEdgardo2018 Jun 22, 25, 28, Jul 01, 04, 07, 10, 13
Ismael JordiTenorEdgardo2018 Jun 23, 26, 29, Jul 02, 05, 08, 11
Artur RucińskiBaritoneEnrico2018 Jun 22, 25, 28, Jul 01, 04, 07, 10, 13
Simone PiazzolaBaritoneEnrico2018 Jun 23, 26, 29, Jul 02, 05, 08, 11
Roberto TagliaviniBassRaimondo2018 Jun 22, 25, 28, Jul 01, 04, 07, 10, 13
Marko MimicaBassRaimondo2018 Jun 23, 26, 29, Jul 02, 05, 08, 11
Yijie ShiTenorArturo
Alejandro GonzálezTenorNormanno
Marina PinchukMezzo-sopranoAlisa

A genuine paradigm of Italian romantic opera, Lucia di Lammermoor is the most successful and well known in the extensive list of lyric dramas by Gaetano Donizetti. From the outset, the work was admired for the way its music communicated emotions and was not only a succession of vocal fireworks. This opera opened the doors of Paris for the composer from Bergamo and it was the only piece which remained part of the repertory before the Donizetti Renaissance that as of the 1950’s, would consecrate the composer forever.

In this heart-breaking masterpiece, a young girl in love falls into a state of profound desperation when she is accused of betrayal by her beloved for having married another, albeit against her will. What the lover does not know is that the wedding was celebrated on a false pretense of infidelity. In one of the most famous scenes in operatic history, the girl is overwhelmed by such emotional pain that she loses her mind. This gives way to a moment of musical and theatrical genius in the physiological introspection of its heroine. The unavoidable tragic end seals a work that, without any doubt, continues to enrapture audiences today. 

Production by English National Opera

Reviews of Lucia di Lammermoor directed by David Alden

Mobile version