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Ai Weiwei's Turandot an enjoyable, gigantic funfair at Opera di Roma
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The controversial artist stages his first opera in Rome, with strong musical performances under dynamic Ukrainian conductor Oksana Lyniv.
La Fenice's superb new Widow is always Merry, even without sequins and ostrich feathers
Damiano Michieletto's new production in Venice sets the operetta in the 1950s.
Death in Florence: Zemlinsky and Puccini at DNO
An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.