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Performer: Airam Hernández

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Santa Cruz de TenerifeElijah

Mendelssohn: Elijah
Víctor Pablo Pérez; Mark Stone; Iwona Sobotka; Patricia Redondo; Anna Alàs

BudapestLiszt: Sardanapalo

Liszt: Sardanapalo
Liszt: Sardanapalo
Staatskapelle Weimar; Giampaolo Bisanti; Airam Hernández; Joyce El-Khoury; Oleksandr Pushniak

MadridOrquesta de la Comunidad de Madrid: Concierto de clausura

Orquesta de la Comunidad de Madrid: Concierto de clausura
Paus, Berlioz
Orquesta de la Comunidad de Madrid; Félix Redondo; Pequeños Cantores de la Comunidad de Madrid; Camerata Infantil BBVA/ORCAM; Coro de RTVE; Coro de la Comunidad de Madrid
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Minimalistic new production of Idomeneo in Zurich

Joseph Kaiser (Idomeneo) and Anna Stéphany (Idamante) © Monika Rittershaus
In Jetske Mijnssen’s new production of Idomeneo, all order of human entanglements, sorrows and pain run rampant.
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Rigoletto is mad but the singing is fine

Luca Salsi (Rigoletto) © Clärchen & Matthias Baus
Damiano Michieletto’s intriguing production of Rigoletto is set in a mental hospital, and sidelines emotion in favour of analysis. The singing, on the other hand, is heartfelt and exciting.
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A sizzling myth of matricide

Evelyn Angela Gugolz (Klytaemnestra) and Georg Nigl (Orest) © Judith Schlosser
In the hands of director Hans Neuenfels, the Swiss première of Manfred Trojahn’s Orest was widely anticipated for its “splashes of gore and commensurate splatters of sound”.
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Ravens of misfortune: Barrie Kosky's innovative Macbeth

Markus Brück (Macbeth) © Monika Rittershaus
Barrie Kosky’s new Macbeth is devoid of riff-raff, shrill costumes and anything trivial. Instead, it’s a feast for the imagination, a case for modern opera at its very best. 
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Julietta: Ambiguity with a capital “A”

Julietta, Bohuslav Martinů’s seldom performed surrealistic opera of dreams and lost identity recently premiered in a new Zurich production.
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