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Performer: Alan Gilbert

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StockholmAlan Gilbert conducts Mahler Symphony no. 4

Stockholms Konserthusstiftelse
Mahler: Symphony no. 4 in G major
Royal Stockholm Philharmonic Orchestra; Alan Gilbert

StockholmDutilleux, Mahler

Stockholms Konserthusstiftelse
Dutilleux, Mahler
Royal Stockholm Philharmonic Orchestra; Alan Gilbert; Elin Rombo

StockholmZimmermann plays Schumann's Violin Concerto

Stockholms Konserthusstiftelse
Schumann, Strauss R.
Royal Stockholm Philharmonic Orchestra; Alan Gilbert; Frank Peter Zimmermann

HamburgNDR Elbphilharmonie Orchester Gilbert/Weilerstein

Tchaikovsky, Beethoven
NDR Elbphilharmonie Orchester; Alan Gilbert; Alisa Weilerstein

StockholmDie Meistersinger von Nürnberg

Die Meistersinger von Nürnberg
Wagner: Die Meistersinger von Nürnberg
Alan Gilbert; Royal Swedish Opera; Christina Nilsson; Klas Hedlund; Ola Eliasson; John Lundgren
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First and Second Viennese School side by side in the Elbphilharmonie

Alan Gilbert © Peter Hundert | NDR
Frank Peter Zimmermann dazzles in an angelic tribute, while Alan Gilbert and the NDR Elbphilharmonie Orchester emphasise clarity at the expense of warmth.
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Eloquent Bartók and emphatic Bruckner at the Elbphilharmonie

Alan Gilbert © Peter Hundert
Augustin Hadelich is an authoritative interpreter in Bartók's Second Violin Concerto, while Alan Gilbert and the NDR Elbphilharmonie Orchester never quite succeed in scaling the heights of Bruckner 7.
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Gilbert and Gerstein bring Adès' Piano Concerto to Cleveland

Alan Gilbert © Roger Mastroianni, courtesy of The Cleveland Orchestra
Under Alan Gilbert’s baton, Kirill Gerstein presented the very recent piano concerto of Thomas Adès on an otherwise conservative program of Bach and Brahms.
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Korngold's Die tote Stadt at La Scala for the first time: a triumph

Die Tote Stadt, Teatro alla Scala © Brescia/Amisano | Teatro alla Scala
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.
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Conquering Busoni’s Piano Concerto in Cleveland

Garrick Ohlsson © Dario Acosta
This titanic performance of Busoni’s 70-minute concerto was riveting, but exhausting to hear. It was preceded by a sparkling reading of Haydn’s “Military” Symphony.
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