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Performer: Aleksandra Kurzak

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New York CityLa traviata

Aleksandra Kurzak (Violetta) © Marty Sohl | Met Opera
Verdi: La traviata
Karel Mark Chichon; Michael Mayer; Metropolitan Opera; Christine Jones; Susan Hilferty; Aleksandra Kurzak; Dmytro Popov

MunichFalstaffNew production

Falstaff
Verdi: Falstaff
Kirill Petrenko; Mateja Koležnik; Bavarian State Opera; Raimund Orfeo Voigt; Wolfgang Koch; Aleksandra Kurzak

MilanRecital: Aleksandra Kurzak

Chopin, Viardot-García, Schumann, Brahms, Tchaikovsky
Aleksandra Kurzak; Julius Drake; Tomasz Wabnic

LondonLa traviata

Verdi: La traviata
Maurizio Benini; Sir Richard Eyre; The Royal Opera; Bob Crowley; Aleksandra Kurzak; Frédéric Antoun

LondonCavalleria rusticana / Pagliacci

Mascagni, Leoncavallo
Daniel Oren; Damiano Michieletto; The Royal Opera; Paolo Fantin; Carla Teti; Liudmyla Monastyrska; Yonghoon Lee
Latest reviewsSee more...

Aleksandra Kurzak impresses as the Met’s new Violetta

Aleksandra Kurzak (Violetta) © Marty Sohl | Met Opera
Michael Mayer’s colorful and busy production of La traviata returned to the Met with a triumphant performance of the title role by soprano Aleksandra Kurzak.
****1
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Alagna shines as murky Cav and exciting Pag reappear at The Met

Roberto Alagna (Canio) in Pagliacci © Ken Howard | Metropolitan Opera
David McVicar's uninspiring Cavalleria rusticana remains problematic, but a strong Pagliacci leaves the New York audience gasping. 
****1
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Returning to the crime scene: Royal Opera's Lucia

Aleksandra Kurzak (Lucia) and Rachael Lloyd (Alisa) © ROH | Stephen Cummiskey
A new cast arrives for Katie Mitchell's gothic Lucia di Lammermoor – and, despite caveats about the staging, deliver some excellent performances. 
****1
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Grigolo wins the girl in Met's L'elisir

Vittorio Grigolo (Nemorino) and Aleksandra Kurzak (Adina) © Marty Sohl | Metropolitan Opera
A revival of Donizetti’s L’elisir d’amore at the Met, where Vittorio Grigolo's Nemorino happily ignores most of Bartless Sher's subtexts. 
****1
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Kurzak a deliciously devious Norina in Zurich

In Donizetti’s most popular comic opera, the great mix of slapstick buffa and an obtuse venue make up the stuffs of what audiences continue to love. 
***11
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