Performer: Alexander Kaimbacher

Herheim’s Fledermaus is a risky experiment that, miraculously, works – at least in a city that knows it so intimately.

The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.

Ligeti's “anti-anti opera” opens in Zurich in a new production by Tatjana Gürbaca.