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NantesWerther

Massenet: Werther
Chloé Dufresne; Ted Huffman; Angers Nantes Opéra; Astrid Klein; Bertrand Couderc; Orchestre National des Pays de la Loire; Maîtrise de la Perverie
AngersWerther

Massenet: Werther
Chloé Dufresne; Ted Huffman; Angers Nantes Opéra; Astrid Klein; Bertrand Couderc; Orchestre National des Pays de la Loire; Maîtrise de la Perverie
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Glyndebourne’s first Tosca: vocally strong but imperfect

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.
Love is in the hare: a new Cunning Little Vixen opens in Berlin

The Staatsoper's new production of Janáček's opera buzzes with life thanks to Sir Simon Rattle's conducting and an excellent cast led by Vera-Lotte Boecker and Magdalena Kožená.
Implacable Werther at Opéra-Comique from Pichon and Huffman

Tight orchestral playing, minimalist stage design: the conductor and director are perfectly in tune with each other, transforming Massenet's work into an intimate and timeless drama.
Kicking down the door: The Marriage of Figaro revived at ENO

ENO's revival features a striking performance from Mary Bevan as bride-to-be Susanna, but elements of the staging continue to raise eyebrows.
Soaring orchestral themes, minimalist staging: Eugene Onegin

The Royal Opera's season opener is a welcome return for Tchaikovsky's opera after nine years, and a house debut for American director Ted Huffman.
Comedy with knobs on: English National Opera's new Figaro
A witty, insightful production at the Coliseum fizzes with comedy and pathos.
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ParisWertherNew production

Massenet: Werther
Raphaël Pichon; Ted Huffman; Opéra-Comique; Astrid Klein; Bertrand Couderc; Pygmalion; Maîtrise Populaire de l'Opéra-Comique
