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EdinburghShostakovich Seven

Copland, Auerbach, Shostakovich
Royal Scottish National Orchestra; Bassem Akiki; Philippe Quint
GlasgowShostakovich Seven

Copland, Auerbach, Shostakovich
Royal Scottish National Orchestra; Bassem Akiki; Philippe Quint
DundeeShostakovich Seven

Copland, Auerbach, Shostakovich
Royal Scottish National Orchestra; Bassem Akiki; Philippe Quint
StuttgartAtatürkWorld premiere

Akiki: Atatürk
Bassem Akiki; Ersan Mondtag; Staatsoper Stuttgart; Gerrit Jurda; Staatsorchester Stuttgart
LyonPeer Gynt

Grieg: Peer Gynt
Bassem Akiki; Angélique Clairand; Opéra de Lyon; Anouk Dell'Aiera; Bruno de Lavenère; Laurent Castaingt; Orchestre de l'Opéra de Lyon
Latest reviewsSee more...
Head on down to DNO’s Cherry Town, the coolest kids on the block

Jakop Ahlbom’s updated vision of Shostakovich’s neglected operetta Moscow, Cheryomushki for Dutch National Opera in collaboration with ISH Dance collection is a riot of fun
The Turn of the Screw at RBO Linbury: Darkness and denial

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.
Heroes and Beasts: Die Frau ohne Schatten in Warsaw

The Polish National Opera's first staging of Strauss' massive fairy tale feels like a bold statement of intent.
Venables We Are the Lucky Ones is the time to be alive at DNO

Inspired by Annie Ernaux’s The Years, Philip Venables’ new opera widens the canvas to take in the whole of Europe’s postwar generation.
Oppressively realistic: Alexander Raskatov's Animal Farm

Alexander Raskatov and Damiano Michieletto turn George Orwell’s fable into an opera of exceptional contemporary relevance.
Le dernier pied de nez de Boesmans : On purge bébé ! à La Monnaie

Le dernier opéra du compositeur liégeois est une perle qui associe irrévérence et subtilité, bien défendue par la mise en scène de Richard Brunel et l'ensemble des interprètes.
Latest articles
Inside out and upside down: Opera world premieres 2026–27

This season, new operas are depositing characters in limbo between this life and the next – from Lincoln in Missy Mazzoli’s Lincoln in the Bardo, to Bassem Akiki’s supernatural retelling of the life of Mustafa Kemal Atatürk.
