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Performer: Bror Magnus Tødenes

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RotterdamChristmas Oratorio

Bach: Christmas Oratorio, BWV248
Rotterdam Philharmonic Orchestra; Nathalie Stutzmann; Elizabeth Watts; Sophie Harmsen; Bror Magnus Tødenes; Leon Košavić

SchweinfurtInto the New Year with Beethoven

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Bamberg Symphony; Nathalie Stutzmann; Siobhan Stagg; Jennifer Johnston; Bror Magnus Tødenes; Leon Košavić

BambergInto the New Year with Beethoven

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Bamberg Symphony; Nathalie Stutzmann; Siobhan Stagg; Jennifer Johnston; Bror Magnus Tødenes; Leon Košavić

ParisDie Frau ohne Schatten (in concert)

Strauss R.: Die Frau ohne Schatten
Yannick Nézet-Séguin; Amber Wagner; Elza van den Heever; Michaela Schuster; Stephen Gould

DortmundDie Frau ohne Schatten (in concert)

Strauss R.: Die Frau ohne Schatten
Yannick Nézet-Séguin; Amber Wagner; Elza van den Heever; Michaela Schuster; Stephen Gould
Latest reviewsSee more...

Carthage carnage: Tcherniakov's Trojans flops at the Bastille

Stéphanie d'Oustrac (Cassandre) © Vincent Pontet | Opéra national de Paris
Tcherniakov reduces Berlioz' epic to little more than Circle Time therapy, a poor way to mark the composer's anniversary year.
**111
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Berlioz’s Grande Messe des morts opens Bergen International Festival

Ed Gardner © Thor Brødreskift
Berlioz’s gargantuan Grande Messe des morts with the Bergen Philharmonic and Edward Gardner opened the Bergen International Festival with deafening climaxes and even more resounding silence.
****1
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A colorful, revealing reprise of Clemenza in Prague

Marc Minkowski and Ambroisine Bré © Hana Smejkalová
More than 200 years after Mozart premiered La clemenza di Tito at the Estates Theatre, Marc Minkowski reveals there are still surprises to be found.
****1
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The Flying Dutchman sails into Bergen

Iain Paterson (The Dutchman) © Monika Kolstad | Bergen National Opera
Bergen National Opera’s new production allows the story to speak to itself, while strong performances from Eric Halfvarson and Elisabeth Teige gave the performance its edge.
****1
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Netrebko triumphs as Aida

Anna Netrebko (Aida) © Salzburger Festspiele | Monika Rittershaus
Muti's reading of the score is extraordinary, both for its sophistication and originality.
****1
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